Biographies


Joe Goode

1937 Oklahoma City, Oklahoma

Lives and works in Mar Vista, California

EDUCATION

1959 – 61 Chouinard Art Institute, Los Angeles, CA

SOLO EXHIBITIONS

2015

Joe Goode: Tip of the Iceberg, Leslie Sacks Contemporary, Santa Monica, CA
Joe Goode: Moonglows and Fireflies, Koki Arts, Tokyo, Japan
Joe Goode: There’s Always Tomorrow, Van Doren Waxter, New York

2014

Joe Goode, Texas Gallery, Houston
Joe Goode, Texas Gallery, Houston

2012

Joe Goode: New Works, Texas Gallery, Houston, Texas

2011

Air Tears, Texas Gallery at Art Platform, Los Angeles, California

2010

Joe Goode, Texas Gallery, Houston, Texas

Joe Goode, Cache Restaurant and Lounge, Santa Monica, California

Golden Dreams, Greenfield Sacks Gallery, Santa Monica, California

2009

Joe Goode: Clouds, Paintings and Drawings from the 60’s and 70’s,

Franklin Parrasch Gallery, New York, New York

2008

JOEDONTNO, Bernard Jacobson Gallery, London, England

Ashes, DNJ Gallery, Los Angeles, CA

Paint IS Nature, Seiler & Mosseri-Marlio Gallerie, Zurich, Switzerland

No Bed of Roses, Imago Gallery, Palm Desert, California

2007

New Work, Texas Gallery, Houston, Texas

2005

X-RAY DRAWINGS, Manny Silverman Gallery, Los Angeles, California

BURN OUT!, Craig Krull Gallery, Santa Monica, California

2004

Surface Paintings, Texas Gallery, Houston, Texas

2003

New Paintings, Shoshana Wayne, Santa Monica, California

2002

Cloud Paintings from 1965 to Present, Stephen Wirtz Gallery, San

Francisco, California

Texas Gallery, Houston, Texas

LA Louver, Venice, California

Peter Blake Gallery, Laguna, California

Plain Air, Bobbie Greenfield Gallery, Santa Monica, California

2001

Manny Silverman Gallery, Los Angeles, California.

Peter Blake Gallery, Laguna, California.

2000

Recent Paintings, Franklin Parrasch Gallery, New York, New York.

Joe Goode, LA Louver, Venice, California.

1999

Peter Blake Gallery, Laguna, California.

Joe Goode: Cause and Effect Paintings, Frederick Spratt Gallery, San Jose, California.

1998

Joe Goode: New Paintings, Takada Gallery, San Francisco.

Suns of Bitches, Moons of Dogs, LA Louver, Venice, California.

1997

Joe Goode, Orange County Museum of Art, Newport Beach, California.

Peter Blake Gallery, Laguna, California.

Manny Silverman Gallery, Los Angeles, California.

1996

Joe Goode, LA Louver, Venice, California.

OCHI Fine Art, Ketchum, Idaho.

1995

Nantenshi Gallery, Tokyo, Japan

Space Sawada, Tokyo, Japan

1994

Joe Goode: Pollution Paintings, LA Louver, Venice, California.

Joe Goode: Pollution Collages, Bobbie Greenfield Gallery, Venice, California.

Shasta College, Redding, California


1993

Tornado Paintings and Works on Paper, Takada Gallery, San Francisco, California.

Tornadoes, Soma Gallery, San Diego, California.


1992

Joe Goode: New Paintings and Drawings, James Corcoran Gallery, Santa Monica, California.

Joe Goode, Karsten Greve Gallery, Paris, France.

Laboratory: Joe Goode Tornado Triptych, The Los Angeles County Museum of Art, Los Angeles, California.

Joe Goode, Jack Tilton Gallery, New York, New York.


1991

Joe Goode: From Blue and Black Series, Takada Gallery, San Francisco, California.

Joe Goode: New Paintings and Drawings, Takada Gallery, San Francisco, California.


1990

Joe Goode: Waterfall Paintings, James Corcoran Gallery, Santa Monica California.

Night Time Paintings from 1977, James Corcoran Gallery, Santa Monica California.



1988

Joe Goode: The Ocean Blues, Compass Rose Gallery, Chicago, Illinois.

New Paintings: The Ocean Blue Series, James Corcoran Gallery, Santa Monica, California, California.


1987

Joe Goode: Milk Bottle Paintings 1961-1962, Pence Gallery, Santa Monica, California.


1986

James Corcoran Gallery, Santa Monica, California.

Joe Goode, Thomas Babeor Gallery, La Jolla, California.

1985

Joe Goode: Paintings and Drawings, Braunstein Gallery, San Francisco, California.

1984

Joe Goode: Forest Fire Impressions, Asher/Faure Gallery, Los Angeles, California.

Charles Cowles Gallery, New York, New York

1983

Cirrus Gallery, Los Angeles, California

1982

Paintings: Environmental Impact Series, ARCO Center for Visual Art, Atlantic Richfield Company, Los Angeles, California.

Joe Goode: Paintings, Prints, Works on Paper, Gallery One, Fort Worth, Texas.

Cirrus Gallery, Los Angeles, California

1981

Drawings 81, Margo Leavin Gallery, Los Angeles, California.

Cirrus Gallery, Los Angeles, California.

1980

Joe Goode, Charles Cowles Gallery, New York, New York.

1979

Nicholas Wilder Gallery, Los Angeles, California.

Texas Gallery, Houston, Texas.

1978

Nicholas Wilder Gallery, Los Angeles, California.

1977

A Selection of Paintings and Drawings, Mount Saint Mary’s College, Art Gallery, Los Angeles, California.

1976

X-Ray Drawings, James Corcoran Gallery, Los Angeles, California.

Nicholas Wilder Gallery, Los Angeles California.

Joe Goode: Recent Work, Washington University Gallery of Art, St. Louis, Missouri.

1975

Galerie Neuendorf, Hamburg, Germany.

Felicity Samuel Gallery, London, England.

Texas Gallery, Houston, Texas.

Seder Creigh Gallery, San Jose, California.

Nicholas Wilder Gallery, Los Angeles, California.

1974

California State University, Northridge, California.

Vandalism Series, Nicholas Wilder Gallery, Los Angeles, California.

Cirrus Gallery, Los Angeles, California.

Texas Gallery, Houston, Texas.

1973

Contract Graphic, Houston, Texas.

Cirrus Gallery, Los Angeles, California.

Felicity Samuel Gallery, London, England.

Joe Goode: Work Until Now, Fort Worth Art Center, Fort Worth, Texas.

Galerie Neuendorf, Hamburg, Germany.

Margo Leavin Gallery, Los Angeles, California.

1972

Texas Gallery, Houston, Texas.

Joe Goode, Felicity Samuel Gallery, London, England.

Fort Worth Art Center, Fort Worth, Texas.

Galerie Neuendorf, Cologne, Germany.

Joe Goode: Lithographs 1962-1972, Margo Leavin Gallery, Los Angeles, California.

Minneapolis Institute of the Arts, Minneapolis, Minnesota.

Nicholas Wilder Gallery, Los Angeles, California.

Joe Goode: Recent Paintings, Corcoran and Corcoran, Coral Gables, Florida.

1971

Galerie Neuendorf, Hamburg, Germany.

Nicholas Wilder Gallery, Los Angeles, California.

La Jolla Museum of Contemporary Art, La Jolla, California.

Mueller Gallery, Dusseldorf, Germany.

Wall Reliefs, Pomona College Art Gallery, Montgomery Art Center, Claremont, California.

Galleria Milano, Milan, Italy.

1970

Galerie Neuendorf, Cologne, Germany.

1969

Nicholas Wilder Gallery, Los Angeles, California.

1968

Kornblee Gallery, New York, New York.

1967

English Still Life on White Tablecloth, Rowan Gallery, London, England.

1966

Exhibition, Nicholas Wilder Gallery, Los Angeles, California.

1964

Exhibition of Paintings by Joe Goode, Rolf Nelson Gallery, Los Angeles, California.

1963

Dilexi Gallery, Los Angeles, California

GROUP EXHIBITIONS

2012

Twice As Many, Mayor Gallery, London, England.

Twice As Many, Galerie du Centre, Paris, France.

Pacific Standard Time: Art in L.A. 1945-1980, Martin-Gropius-Bau, Berlin, Germany.

California Art: Selections from the Frederick R. Weisman Foundation, Carnegie Art Museum, Oxnard, California.

Ed's Party: Spheres of Influene in the L.A. Art Scene, William Turner Gallery, Santa Monica, California.

2011

It Happened at Pomona: Art at the Edge of Los Angeles, Pomona College Museum of Art, Claremont, California.

Pacific Standard Time: Art in L.A. 1945-1980, The Getty Center, Los Angeles, California.

Greetings from L.A.: Artists and Publics, 1950-1980, Getty Research Institute, Los Angeles, California.

Under the Big Black Sun: California Art 1974-1981, Museum of Contemporary Art, Los Angeles, California.

Proof: The Rise of Printmaking in Southern California, Norton Simon Museum, Pasadena, California.

Artistic Evolution: Southern California Artists and the Natural History Museum of L.A., 1945-1963, Natural History Museum, Los Angeles, California.

Best Kept Secret: UCI and the Development of Contemporary Art in Southern California, 1964-1971, Laguna Art Museum, Laguna Beach, California.

Common Objects: Pop Art From the Collection, Museum of Contemporary Art, Los Angeles, California.

High Fidelity: Selections from the 1960s and 1970s, Museum of Contemporary Art, San Diego, California.

California Art: Selections from the Frederick R. Weisman Foundation, Frederick R. Weisman Museum of Art, Malibu, California.

Surface Tension: Contemporary Prints from the Anderson Collection, de Young Fine Arts Museums of San Francisco, California.

Karmic Abstraction, Bridgette Mayer Gallery, Philadelphia, Pennsylvania.

2010

The Artist's Museum, Museum of Contemporary Art, Los Angeles, California.

Shoot, Imago Gallery, Palm Desert, California.


2009

Collection: MOCA's First 30 Years, Museum of Contemporary Art, Los Angeles, California.

Shoot, Imago Gallery, Palm Desert, California.

Elements of Nature, Frederick R. Weisman Museum of Art, Malibu, California.

Pro-tege, Todd Madigan Gallery, California State University, Bakersfield, Bakersfield, California.

Hot Spots. Rio de Janeiro / Milano – Torino / Los Angeles 1956 - 1969, Kunsthaus Zurich, Zurich, Switzerland.

Los Angeles Now: Larry Bell / Joe Goode / Ed Moses, Seiler + Mosseri-Marlio Gallerie, Zurich, Switzerland.

Reflections, Bernard Jacobson Gallery, London, England.


2008

LA A Select Survey of Art from Los Angeles, CCAS, Sacramento, California.

Collecting Collections: Highlights from the Permanent Collection of The MOCA, Museum of Contemporary Art, Los Angeles, California.

Group Show, Bernard Jacobson Gallery, London, England, March 2008.

Photos and Phantasy: Selections from the Frederick R. Weisman Foundation, Carnegie Art Museum, Oxnard, California.

Reflections from the Artist’s Eye: Contemporary Art from the Frederick R. Weisman Art Foundation, Frederick R. Weisman Museum of Art, Pepperdine University, Malibu, California.

Time & Place: Los Angeles, 1958-1968, Moderna Museet, Stockholm, Sweden.

Summer Group Show, Bernard Jacobson Gallery, London, England.

Art and Illusion: Selections from the Frederick R. Weisman Art Foundation, Susquehanna Art Museum, Harrisburg, PA.

Line Drive, Hamilton Press, Venice, California.

Wall Rockets: Contemporary Artists and Ed Ruscha, FLAG Art Foundation, New York, NY.

Nepotism, LA Contemporary Gallery, Los Angeles, California.

2007

The Eclectic Eye: Selections of Fantasy and Illusion from the Frederick Weisman Art Foundation, Contemporary Art Center, New Orleans, Louisiana. Traveled to Colorado Springs Fine Arts Center Inaugural

Exhibition. Colorado Springs, Colorado.

Endless Western Sunset, Leo Castelli Gallery, New York, New York.

Imaging and Imagining California Modern, Orange Museum of Art, Newport Beach, California.

The Left Coast, Imago Galleries, Palm Desert, California.

Out of Oklahoma: Contemporary Artists from Ruscha to Andoe, curated by Richard P. Townsend, Price Tower Arts Center, Bartlesville, Oklahoma. Travelled to Fred Jones Jr. Museum of Art, The University of Oklahoma, Norman, Oklahoma (through 2008).

If Everybody had an Ocean, curated by Alex Farquharson. Tate St Ives, Porthmeor Beach, St Ives, England. Travelled to CAPC Musee d’Art Contemporain, Bordeaux, France (through 2008).California Art: Selections from the Frederick R. Weisman Art Foundation, Bel Air, California (through 2008).

Roots and Ties, Untitled Art Space, Oklahoma City, Oklahoma.

California Art: Selections from the Frederick R. Weisman Art Foundation, Bel Air, California.

2006

Los Angeles- Paris, Centre Georges Pompidou, Paris, France.

California Modern, Orange County Museum of Art, Newport Beach, California.

L.A. Art Scene: Selections of California Artists from the Frederick Weisman Art Foundation, Beverly Hills Municipal Gallery, Beverly Hills, California.

Super Size Prints, Cirrus Gallery, Los Angeles, California.

Photographs That I Love, Patricia Faure Gallery, Santa Monica, California.

Los Angeles presentation of WA: Art of Japanese Paper, Japanese American Cultural and Community Center, Los Angeles, California.

Photos and Phantasy: Selections from the Frederick R. Weisman Art Foundation, Frederick R Weisman Museum of Art, Pepperdine University, Malibu, California.

A Piece of History From L.A…. But not in Paris, Charles Cowles Gallery, New York, New York.

2005

Wilder, Franklin Parrasch Gallery, New York, New York.

Safe and Warm in L.A., Franklin Parrasch Gallery, New York, New York.

Flow, Berman/Turner Projects, Santa Monica, California.

The Eclectic Eye: Selections from the Frederick R. Weisman Art Foundation, Frederick R. Weisman Museum of Art, Malibu, California.

Flow, Riverside Art Museum, Riverside, California (Through 2006).

“Extra-Ordinary: The Everyday Object in American Art - An Exhibition Selected from the Whitney’s Permanent Collection”, Frist Center for the Visual Arts, Nashville, Tennessee,

2004

Monocromos: de Malevich al Presente, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain.

2003

Made in California: Selections from the Frederick R. Weisman Art Foundation Collection, Contemporary Arts Center, New Orleans, Louisiana.

Joe Goode and Tony Delap, Peter Blake Gallery, Laguna Beach, California.

Manny Farber, Roy Mc Makin, Joe Goode & Gary Lang, Quint Contemporary Art, La Jolla, California.

2002

Growing Up in LA, Davis/Keil Fine Art, Naples, Florida, and LA Louver, Los Angeles, California.

2001

Pop Art: US/UK Connections, The Menil Collection, Houston, Texas.

Recent Acquisitions of Contemporary California Works on Paper, California Palace of the Legion of Honor, Lincoln Park, San Francisco, California.

Out of L.A., Bernard Jacobson Gallery, London, England.

2000

Made in California, Los Angeles County Museum of Art, Los Angeles, California.

Serial Painters, Herbert Palmer Gallery, Los Angeles, California.

1999

Radical Past, Norton Simon Museum, Pasadena, California.

Afterimage: Drawing through Process, Museum of Contemporary Art, Los Angeles, California.

1998

Landscapes, Meyerson and Nowinski Gallery, Seattle, Washington.

From the Westside, Fine Arts Gallery, California State University, Los Angeles, California.

1996

Selections from the Frederick R. Weisman Collections, Frederick R. Weisman Museum of Art, Pepperdine University, Malibu, California,

Margo Leavin, Los Angeles, California.

L.A. Louver, Venice, California.

1995

California Collection, Hunsacker/Schlesinger, Santa Monica, California.

New Visions: Los Angeles Art in the 90’s, UCLA/Armand Hammer Museum, Los Angeles, California.

Blue, Stephen Wirtz Gallery, San Francisco, California.

1994

Conversations on the Rim: Joe Goode and Tomaharu Murakami, Frederick R. Weisman Museum of American Art, Pepperdine University, Malibu, California.

The Pop Image, The Marlborough Gallery, New York, New York.

Southern California: The Conceptual Landscape, Madison Art Center, Madison, Wisconsin.

1993

Hand Painted Pop, American Art in Transition, 1955-62, Traveled to the Museum of Contemporary Art, Chicago, Illinois; Whitney Museum of American Art, New York, New York (catalog).

1992

Changing Group Exhibition, Cirrus Gallery, Los Angeles, California.

War Babies: Prints of the Sixties from the Collection, The Los Angeles County Museum of Art, Los Angeles, California.

Bobbie Greenfield Fine Art Gallery, Venice, California.

Hand Painted Pop, American Art in Transition, 1955-62, The Museum of Contemporary Art, Los Angeles, California.

Instincts and Intuition, Newspace, Los Angeles, California.

How Green was My Valley – California Landscape Painting Then and Now, Louis Stern Galleries, Beverly Hills, California.

Territorium Artis, Kunst und Ausstellunghalle, Bundesreublik, Deutschland.

1991

LA. When it Began, James Corcoran Gallery, Los Angeles, California.

1990

LA/Brazil Projects ’90, The Los Angeles Municipal Art Gallery, Barnsdall Art Park, Los Angeles, California. Traveled to the Museu de Arte de Sao Paulo, Sao Paulo, Brazil.

1989

Joe Goode, Jerry McMillan, Edward Ruscha, Oklahoma Center Art Museum, Oklahoma City, Oklahoma, Traveled to Orlando Museum of Art, Orlando, Florida.

LA Pop in the Sixties, Newport Harbor Art Museum, Newport Beach, California, Sponsored by the Irvine Company. Traveled to Henry Art Gallery, University of Washington, Seattle, Washington; Palm Springs Desert Museum, Palm Springs, California; Neuberger Museum, State University of New York, Purchase, New York; Phoenix Art Museum, Phoenix, Arizona.

Selected Works from the Frederick R. Weisman Art Foundation, Frederick S Wight Art Gallery, University of California, Los Angeles, California. Traveled to Joslyn Museum of Art, Omaha, Nebraska; Neuberger Art Museum, State University of New York, Purchase, New York; Akron Art Museum, Akron, Ohio.

Suburban Home Life: Tracing the American Dream, Whitney Museum of American Art, Federal Reserve Plaza, New York, New York. Traveled to Whitney Museum of American Art, Stamford, Connecticut.

1988

Artschwager, Peers, and Persuasion 1963-1988, Daniel Weinberg Gallery, Los Angeles, California.

Selections from the Frederick R. Weisman Collection, Fine Arts Center, Colorado Springs, Colorado.

The Eclectic Eye: Selections from the Frederick R. Weisman Art Foundation, New Mexico State University, University Hall, Las Cruces, New Mexico. Traveled to Bridge Center for Contemporary Art, El Paso, Texas; Cheney Cowles Art Museum, Spokane, Washington; Boise Art Museum, Boise, Idaho; University of Wyoming Art Museum; Virginia Beach Center for the Arts, Virginia Beach, Virginia; Gibbes Museum of Art, Charleston, South Carolina; The Arkansas Center, Little Rock, Arkansas.

Selections from the Permanent Collection, Newport Harbor Art Museum, Newport Beach, California.

Prints from the 60’s: American Pop, Norton Simon Museum, Pasadena, California.

“Lost and Found in California: Four Decades of Assemblage Art”, Pence Gallery in cooperation with the James Corcoran Gallery, Shoshana Wayne, G Ray Hawkins Gallery, Santa Monica, California.

West Coast Contemporary, Sierra Nevada Museum of Art, Stremmel Galleries, Ltd., Reno, Nevada.

The Studs: Part II, Moses, Goode, Price, Bengston, Graham, Ruscha, Bachardy, Texas Gallery, Houston, Texas.

1987

Selections from the Frederick R. Weisman Collection, The Baltimore Museum of Art, Baltimore, Maryland, Traveled to Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania; Birmingham Museum of Art, Birmingham, Alabama; Norton Gallery and School of Art, West Palm Beach, Florida; Colorado Springs Fine Arts Center, Colorado Springs, Colorado; New Orleans Museum of Art, New Orleans, Louisiana, Cirrus Gallery, Los Angeles, California.

The Early Show, California Art from the Sixties and Seventies, James Corcoran Gallery, Santa Monica, California.

Pop Art: USA-UK, Odakyu & Rand Gallery, Tokyo, Japan, Sponsored by the Nainichi Newspapers. Traveled to the Daimaru Museum, Osaka, Japan; the Funabashi Seibu Museum of Art, Funabashi, Japan; Sogo Museum of Art, Yokohama, Japan.

Year 1: A Survey, Pence Gallery, Santa Monica, California.

Highlights of California Art Since 1945: Collecting Partnership, Newport Harbor Art Museum, Newport Beach, California.

Made in USA: An Americanization in Modern Art. The 50’s and 60’s, University Art Museum, University of California, Berkeley, Berkeley, California. Traveled to the Nelson-Atkins Museum of Art, Kansas City, Missouri; Virginia Museum of Fine Art, Richmond, Virginia.

1986

A Southern California Collection, Cirrus Gallery, Los Angeles, California.

California Art Since 1945, Works from the Permanent Collection, Newport Harbor Art Museum, Newport Beach, California.

1985

Drawings Coast to Coast, Gallery One, Fort Worth, Texas.

Frederick R. Weisman Foundation Collection of Contemporary Art, Tel Aviv Museum, Tel Aviv, Israel.

1984

Cirrus Celebrates Los Angeles Art, Part I, Cirrus Gallery, Los Angeles, California.

Major Work by California Artists, Hunsaker/Schlesinger Gallery, Los Angeles, California.

Gemini G.E.L.: Art and Collaboration, National Gallery of Art, Washington

DC. Traveled to Seattle Art Museum, Seattle, Washington; Nelson-Atkins Museum of Art, Kansas City, Missouri; Terra Museum of American Art, Evanston, Illinois; Los Angeles County Museum of Art, Los Angeles, California; National Museum of Art, Osaka, Japan; Yonago City Museum, Machida City Museum of Graphic Arts, Japan.

Frederick R. Weisman Foundation, Palm Springs Desert Museum, Palm Springs, California.

1983

The American Artist as Printmaker, The Brooklyn Museum, Brooklyn, New York (catalog).

Selected Graphic Work, Cirrus Editions, Ltd., Cirrus Gallery, Los Angeles, California.

Fire and Water, Neil C. Ovsey Gallery, Los Angeles, California.

LA Seen, University Art Gallery, University of Southern California, Los Angeles, California.

1982

Cirrus Downstairs, Cirrus Gallery, Los Angeles, California.

The Americans in Collage, Contemporary Arts Museum, Houston, Texas (catalog).

Drawings by Painters, Mandeville Art Gallery, The University of San Diego, San Diego, California. Traveled to the Oakland Museum, Oakland, California.

New American Graphics of Contemporary Prints, Madison Art Center, Madison, Wisconsin (catalog).

Contemporary Triptychs, Montgomery Art Gallery, Pomona College,

Claremont, California (catalog).

Exchange between Artists-An Experience for Museums, The Museum of Modern Art of the City of Paris, Paris, France. Traveled to Hyde Gallery, Ulster, Ireland: Exchange Between Artists 1931-1982, Museum Stuki, Lodz, Poland.

1981

Decade: Los Angeles Painting in the Seventies, Art Center College of Design, Pasadena, California (catalog).

Abstraction in Los Angeles, 1950-1980, Selections from the Ruth and Murray Gribin Collection, Fine Art Gallery, California State University, Northridge, California (catalog).

Art in Los Angeles: Seventeen Artists in the Sixties, Los Angeles County Museum of Art, Los Angeles, California. Traveled to the Museum of San Antonio, San Antonio, Texas.

Sixties, Los Angeles County Museum of Art, Los Angeles, California.

California: The State of Landscape 1972-1981, Newport Harbor Art Museum, Newport Beach, California. Traveled to Santa Barbara, California.

1980

Los Angeles Prints, 1883-1980 (Part II), Los Angeles County Museum of Art, Los Angeles, California (catalog).

1979

Ten Years of Cirrus, Cirrus Gallery, Los Angeles, California.

Aspects of the Abstract: Recent West Coast Abstract Painting and Sculpture, Crocker Art Museum, Sacramento, California (catalog).

Black and White are Colors: Paintings of the 1950’s-1970’s, The Claremont Colleges, Montgomery Art Center, Pomona College, and Lang Gallery, Scripps College, Claremont, California.

1978 American Paintings of the 1970’s, Albright Knox Art Gallery, Buffalo, New York (catalog).

Black Dolphin Prints, The Art Gallery, California State University at Long Beach, California.

Selections from the Frederick R. Weisman Company Collection of California Art, The Art Gallery, California State University, Long Beach, California. Traveled to the Corcoran Gallery of Art, Washington DC, The Albuquerque Museum of Art, History and Science; and the Fine Arts Gallery, California State University, Northridge.

Aspects of the Abstract, Crocker Art Museum, Sacramento, California.

1970 to 1977, The Museum Drawers, Le Musee Entiroirs, Das Schubladen Museum, Kunsthaus, Zurich, Switzerland. Traveled to Los Angeles Institute of Contemporary Art.

Southern Exposure, Stephen Wirtz Gallery, San Francisco, California.

1977

Joe Goode, Edward Ruscha Drawings, Laguna Gloria Art Museum, Austin, Texas.

Drawings by Joe Goode and Ed Ruscha, Texas Gallery, Houston, Texas.

1976 Exhibitions ’76, Cedars Sinai Medical Center Council for the Arts, Cedars Sinai Medical Center, Los Angeles, California.

Artists Rug Show, McNay Institute with Everlasting Productions, San Antonio, Texas.

Thirty Years of American Printmaking, The Brooklyn Museum, New York, New York (catalog).

Painting and Sculpture in California: The Modern Era, San Francisco Museum of Modern Art, San Francisco, California. Traveled to National Collection of Fine arts, Smithsonian Institution, Washington DC.

1975

The Corcoran Gallery of Art, Washington D.C.

Current Concerns, Part 1, Los Angeles Institute of Contemporary Art, Los Angeles, California (catalog).

Joe Goode, Matrix Gallery, Wadsworth Atheneum, Hartford, Connecticut.

A Drawing Show, Newport Harbor Art Museum, Newport Beach, California (catalog).

4 Los Angeles Artists, School of Visual Arts, New York, New York. Also shown at Acquavella Gallery, New York, New York.

1974

Made in California, Mappin Gallery, Sheffield, England.

Art Institute of Chicago.

Print Show, Los Angeles County Museum of Art, California Margo Leavin Gallery, Los Angeles, California.

Robert Rowan Collection, Art Gallery, Mount Saint Mary’s College, Los Angeles California.

Eight from California, National Collection of Fine Arts, Smithsonian Institution, Washington D.C.

Cirrus Editions, The Oakland Museum, Oakland, California.

American Pop Art, Whitney Museum of American Art, New York, New York.

1973

Hand Colored Editions, Brooke Alexander, Inc, New York, New York. Traveled to Cirrus Gallery, Los Angeles, California.

Cirrus Editions, Cirrus Gallery, Los Angeles, California.

Offset Lithography, Davidson Art Center, Ohio Wesleyan University, Delaware, Ohio.

1972

Surrealism is Alive and Well in the West, Baxter Art Gallery, California Institute of Technology, Pasadena, California (catalog).

Fourteen Big Prints, Bernard Jacobson, Ltd., London, England.

1972 USA West Coast, Kunstverein, Hamburg, Germany. Traveled to Hanover, Kilnischer, Cologne, Wurtembergergisher, and Stuttgart.

Contemporary American Art, Los Angeles, Fort Worth Art Center Museum, Fort Worth, Texas.

Joe Goode, Kenneth Price, en Ed Ruscha: Grafiek en Boeken, Museum Boysmans-Van Beuningen, Rotterdam, The Netherlands.

California Prints, The Museum of Modern Art, New York, New York.

1971

West Coast, Denver Museum of Art, Denver, Colorado.

Made in California, Grunwald Graphic Arts Foundation, University of California at Los Angeles, Los Angeles, California.

Continuing Surrealism, La Jolla Museum of Art, La Jolla, California.

Thirty Second Biennial Exhibition of Contemporary American Painting, the Corcoran Gallery of Art, Washington, D.C. (catalog).

Oversize Prints, Whitney Museum of American Art, New York, New York.

1970

Special Group Exhibition, Artist Studio, Venice, California.

Three California Friends: Joe Goode, Billy Al Bengston, and Ed Ruscha, Contemporary Arts Foundation, Oklahoma City, Oklahoma.

Looking West 1970, Joslyn Art Museum, Omaha, Nebraska (catalog).

West Now, Omaha Museum of Art, Omaha, Nebraska.

Nine Portfolios, The Museum of Modern Art, New York. Traveled to La Jolla Art Museum, La Jolla, California.

Drawings 1970, University of California at Santa Barbara, Santa Barbara, California (catalog).

New Multiple Art, Whitechapel Gallery, London, England.

1969

Contemporary American Drawings, Fort Worth Art Center Museum, Fort Worth, Texas (catalog).

Group Show: Drawings, Galerie Neuendorf, Hamburg, Germany.

Graphics: Six West Coast Artists, Galleria Milano, Milan, Italy.

Pop Art Redefined, Hayward Gallery, London, England.

California Drawings 1969, Ithaca College Art Museum, Ithaca, New York.

Charles Cowles Collection, Larry Aldridge Museum, Ridgefield, Connecticut.

West Coast 1945-1969, Pasadena Art Museum, Pasadena California. Traveled to St. Louis Art Museum, St. Louis, Missouri; Art Gallery of Toronto, Canada; Fort Worth Art Center, Fort Worth, Texas; Reese Palley Gallery, San Francisco, California

1969 Annual Exhibition of Contemporary American Painting, Whitney Museum of American Art, New York, New York.

1968

Small Paintings from the Museum Collection, Circulated by the American Federation of Arts, New York, New York.

West Coast Now, Portland Art Museum, Portland, Oregon (catalog).

Joe Goode/Ed Ruscha, The Fine Arts Patrons of Newport Harbor, Balboa Pavilion Gallery, Newport Beach, California (catalog).

1967

Pittsburgh International Exhibition of Contemporary Painting and Sculpture, Museum of Art, Carnegie Institute, Pittsburgh, Pennsylvania.

Two-man Drawing Show, Joe Goode and Ron Davis, Nicholas Wilder Gallery, Los Angeles, California (catalog).

1967 Annual Exhibition of Contemporary American Painting, Whitney Museum of American Art, New York, New York (catalog).

1966

Ten from Los Angeles, Seattle Art Museum, Washington (catalog).

Annual Exhibition of Contemporary American Painting, Whitney Museum of American Art, New York, New York.

1965

Especially for Children, The Fine Arts Patrons of Newport Harbor, Balboa Pavilion Gallery, Newport Beach, California, Traveled to the Los Angeles County Museum of Art, Los Angeles, California.

1964

Collector’s Show, The Fine Arts Patrons of Newport Harbor, Balboa

Pavilion Gallery, Newport Beach, California.

1963

Six More, Los Angeles County Museum of Art, Los Angeles, California (catalog).

Pop Art USA, Oakland Art Museum, Oakland, California (catalog).

1962

New Paintings of Common Objects, Pasadena Art Museum, Pasadena, California.

1961

War Babies, Huysman Gallery, Los Angeles, California.

1960

Four Oklahoma Artists, Oklahoma Art Center, Oklahoma City, Oklahoma.


BIBLIOGRAPHY

1962

Coplan John, "The New Paintings of Common Objects.” Art Forum, Volume 1 (October 1962), pp. 26-30. (with illustration).

1963

Leider, Philip, “California After the Figure”, Art in America, October 1963, pp. 73-79.

1966

Leider, Philip, “Joe Goode and The Common Object”, Artforum, March 1966, pp. 24-27.

1967

Lucie-Smith Edward, “London Commentary.” Studio International, June 1967. (with illustration).

1968

Selz, Peter with Wilson, William, “For Defectors to L.A.”, Art in America, March-April 1968, pp. 100-104.

1969

Linvingston, Jane, “Los Angeles”, Artforum, January 1969, p. 69.

1970

Price Libby, “Artists Unpack CAF Show.” The Oklahoma Journal, April 18 1970, p.9.

Sobel Rebecca, “Ham Cans Forever Altered.” Citizen News, July 18 1970, p.4.

1971

Plagen, Peter, “Los Angeles”, Artforum, February 1971, p. 91.

1973

Melville Robert, “Illusory.” Unnamed Publication, No Exact Date, 1973.

Day Owen, “California Pop Products Shows His Art Work.” The Fort Worth Press, January 19 1973, p.19.

Kutner Janet, “The Sky Is No Limit for Joe Goode Work.” The Dallas Morning News, February 4 1973, p. 6C

Freed Eleanor, “Low Key Phenomena.” The Houston Post, March 4 1973.

Holmes Ann, “Crisp New Art Snaps And Crackles – It’s Pop.” Houston Chronicle, March 6 1973.

From a conversation with Henry T. Hopkins, “Bensgston, Grieger, Goode: 3 Interviews”, Art in America, March-April 1973, pp. 48-53.

Bates Meretes, “California/Matisse exhibitions in Shetfield.” The Guardian, April 10 1973.

1975

Stein, Donna M., “New Editions”, Artnews, January 1975, P. 62.

Overy Paul, “Portrait of the Artist at Home.” The Times, July 15 1975.

Shepherd Michael, “Joe Goode Felicity Samuel.” Arts Review, July 25 1975.

1976

Berges Marshall, “Joe Goode- He Competes With Himself To Make Art Original and Exciting.” L.A. Times Home Magazine, October 24 1976, p.34.

1979

Twardy Chuck, “Contemporary Art Exhibit Brings Together Boyhood Pals.” Sentinel Newspaper, 1979, p.F-3

1982

Rickey Carrie, “Studs And Polish: L.A. In The Sixties.” Art In America, January 1982, p.81-89.

Knight Christopher, “How Painter Joe Goode Unpeels Vision.” Los Angeles Herald Examiner, January 10 1982.

Kutner Janet, “LA Art Doesn’t Miss A Beat.” The Dallas Morning News, January 22 1982, p.2C.

1983

“Destroy to Create”, Forth Worth Star-Telegram, April 7 1983, p. 5D.

Kutner Janet, “Preview.” The Dallas Morning News, April 8 1983.

1984

Glueck Grace, “Joe Goode and Marsha Burns.” The New York Times, Mar. 23 1984, p.C18.

Muchnic Suzanne, “The Galleries.” Los Angeles Times, Mar. 30 1984. P.14.

1986

Harper, Hilliard, “Look Through Good’s Art for Meaning.” Los Angeles Times, Jan. 4 1986, p. 1+.

Hemmerdinger, William, and Hemmerdinger, Catherine, Artscene, Jan. 1986.

1988

Huneven, Michelle, “Joe Goode: Inspired By The Elements.” Angeles Magazine, Dec. 1988, pp. 46-47.

1989

Brandenburg, John, “Three-Man Show to Open at Art Museum.” Daily Oklahoman, 1989.

Artner, Alan G., “Goode’s ‘Ocean Blues’ a Rich Panorama.” Chicago Tribune, May 19, 1989.

Berger Eric, “Oklahomecoming for Three Art Luminaries.” Jules Of Oklahoma, Summer 1989, p.9.

Wilson, William, “Triumph of the Visual.” Los Angeles Times/ Calendar, Jul. 16, 1989.

Davis, Chuck, “Story Behind Three Artists’ Exhibit as Good as the Paintings.” The Daily Oklahoman, Jul. 28, 1989.

Hommel, Bill, “Artists’ Works Reflect Important Styles of Past 20 Years.” Oklahoma Gazette, Aug. 2, 1989.

1998

“Bright Spots.” Los Angeles Times, July 3 1998, p. F27.

Duncan, Michael, “Joe Goode at L.A. Louver”, Art in America, Nov. 1998, p. 139.

1990

Lazzari, Margaret, “Interior Perspectives Joe Goode at James Corcoran.” Artweek, Feb. 1, 1990, p.p, 15-16.

1991

Clothier Peter, “Joe Goode.” ArtNews, April 1991, p.168, 170.

1992

Sullivan Meg, “Goode’s exhibit is highly twisted”, L.A. Life Weekend, June 19.

Snow Shauna, “A Whirlwind of a Project at LACMA”, Los Angeles Times, June 20 1992.

Wilson William, “Tornado: A Feast for the Eyes.” Los Angeles Times, June 20 1992.

Beller, Miles, “Delicious Eloquence. Joe Goode at LACMA and James Corcoran Gallery.” Artweek, Aug. 6 1992.

1994

Turner, William, "So Goode.” Venice Magazine. (January 1994), pp. 79-81.

Wilson William, “Two Masters See Purity From Different Perspectives.” Los Angeles Times. January 14 1994, p.F28.

Crowe John, “Exhibit Teems With Tornadoes.” Record Searchlight, August 26 1994.

1997

Brown Stacy Noelle, “Doing Goode Work”, 72 Hours, January 17 1997.

Joyce Julie, “Joe Goode”, Art Issues, March/ April 1997, p.41.

Knight, Christopher, “A Vision Exam From Joe Goode.” Los Angeles Times, January 28 1997, p. F1+.

Ollman Leah, “Seeing Through Nature”, Art In America, October 1997, p.90-95.

1999

Karlstrom, Paul, Archives of American Art, Smithsonian Institution, Jan. 5, 1999.

2000

Pagel, David, “Thrilling Images Of Nature Throw Caution Of The Wind”, Los Angeles Times Art Reviews, p.F18.

Frank, Peter, “National Reviews”, Art New, Nov. 2000, p. 213.

2001

Goldner Liz, “Tale Of Two Artists”, OCM, December 13 2001, p.9.

Karlstrom, Paul, Archives of American Art, Smithsonian Institution, Apr. 10, 2001.

2002

Frank, Peter, “Joe Goode, Robert Kingston”, LA Weekly, March 8-14, 2002.

2003

French, Christopher, Art News/ National Reviews, Feb. 2003, p. 132.

2005

Goldman, Edward, “Unanswered Questions for the Getty”, Art Talk/KCRW, January 25, 2005.

Frank Peter, “Joe Goode: X-Ray Drawings at Manny Silverman Gallery”, Art On Paper, May/ June 2005, volume 9 Number 5, p.80.

Frank Peter, “Robert Dean Stockwell, Joe Goode, Edmund Teske”, L.A. Weekly, September 16-22 2005.

2006

Dagen, Phillipe, “Artistes Ludiques de Los Angeles (Playful Artists in Los Angeles)”, Le Monde, March 12-13, 2006, p. 22.

2008

O’Connor, Anne-Marie, “After the fire, Joe Goode Finds a New Passion”, LAtimes.com, May 4, 2008.

O’Connor, Anne-Marie, “Igniting His Passion”, Los Angeles Times Arts & Music Calendar, May 4, 2008, p. F1+.

Collins, Aaron, “For Goode, Bad Studio Fire Unlocks Seeds of Creative Potential”, Lifestyle, May 2008, pp. 42-46.

Christopher Knight, “Giorgio Morandi Meets Joe Goode”, Culture Monster, LAtimes.com, Oct. 29, 2008.

“Joe Goode: No Bed of Roses”, On The Cover, Gallery Guide West, Dec. 2008, pp. cover, 10-11.

Catalogues

1968

Joe Goode Edward Ruscha. Balboa Pavilion Gallery, Balboa, CA. Foreward by Mason Williams. Acknowledgment by Betty Gold. Text by Henry T. Hopkins.

1976

Joe Goode/Recent Work. Washington University Gallery of Art, St. Louis, Missouri. Text by Graham W. J. Beal.

1984

Frederick R. Weisman Foundation Volume One. Frederick R. Weisman Foundation, Los Angeles, CA 1984. Introduction by Frederick S. Wight.

1989

Joe Goode, Jerry McMillan, Edward Ruscha. Oklahoma City Art Museum, Oklahoma City, OK. Introduction by Henry T. Hopkins. Essays by Sue Scott.

1990

Joe Goode Waterfall Paintings. James Corcoran Gallery, Santa Monica, CA. Text by Nora Halpern Brougher.

1991

Joe Goode Selected Paintings on Paper from 1977. James Corcoran Gallery, Santa Monica, CA.

Twisters. Creative Works Editions, Osaka, Japan. Text by David Pagel.

Pop Art. Royal Academy of Arts, London, England. Museum Ludwig, Cologne, Germany. Centro de Arte Reina Sofia, Madrid, Spain. Edited by Marco Livingstone. Contributions by Dan Cameron, Constance W. Glenn, Thomas Kellein, Marco Livingstone, Sarat Maharaj, Alfred Pacquement, Evelyn Weiss.

1993

Joe Goode “Tornadoes”. Soma Gallery, San Diego, CA. Essay by Peter Frank.

1997

Joe Goode. Orange county Museum of Art, Newport Beach, CA. Acknowledgments by Naomi Vine. Appreciation by Edward Ruscha. Text by Michael Duncan.

Collaboration/Transformation Lithographs From the Hamilton Press. Montgomery Gallery at Pomona College, Claremont, CA and Fred Jones Jr. Museum of Art at The University of Oklahoma, Norman, Ok 1997-1998. Foreward by Marjorie L. Harth and Thomas R. Toperzer. Text by Dave Hickey, Ed Hamilton, and Rebecca McGrew.

1998

Joe Goode Works on Paper 1960-1973. Manny Silverman Gallery, Los Angeles, CA. Forward by Manny Silverman.

2000

Joe Goode. LA Louver, Venice, CA. Introduction by Dave Hickey.

2001

Joe Goode The Cloud Paintings. Mannny Silverman Gallery, Los Angeles, CA. Text by Michael Duncan. Acknowledgments by Manny Silverman.

2006

Los Angeles 1955-1985 Birth Of An Art Capital, Centre Pompidou / Panama Musees, 2006: p. 379.

2007

If Everybody Had an Ocean; Brian Wilson, an Art Exhibition, Tate St Ives, 2007.

2008

The Left Coast. Imago Galleries, Palm Desert, CA 2008. Foreward by Leisa Austin, Essay by Peter Frank. Foreword by Leisa Austin.

Time & Place: Los Angeles 1957-1968. Moderna Museet and Steidl, Stockholm, Sweden 2008. Text by Lars Nittve and Cecile Whiting.

General Book References

Frederick R. Weisman Art Foundation Collection. Los Angeles, CA: Frederick R. Weisman Philanthropic Foundation, pp. xxv, 234-235.

De Salo, D., Schimmel, P., Ferguson, R. Hand Painted Pop. New York, NY: Rizzoli, 1992: pp. 226-227.

Krull, Craig. Photographing the L.A. Art Scene 1955-1975. Santa Monica, CA: Smart Art Press, 1996: pp. 13, 34, 56-64.

Davis, M., Kelley, M., Hockney, D., Hackman, W., Nittve, L. Sunshine & Noir. Louisiana, Denmark: Louisiana Museum of Modern Art, 1997: pp. 16-17, xxxI, 224.

Barron, S., Bernstein, S., Fort, I.S., Made in California Art, Image, and Identity, 1900-200. Los Angeles, CA: Los Angeles County Museum of Art, 2000. Berkeley, Los Angeles, London: University of California Press, 2000: pp. 202, 204-205, 212-213.

Hayes, Kenneth. Milk and Melancholy. Toronto: Prefix Institute of Contemporary Art, 2008: pp. 52-56.

Bader, G., Darling, M., Mangini, E. Target Practice: Painting Under Attack 1949-78. Seattle, WA: Seattle Art Museum, 2009: p. 65.

Special Projects and Limited Editions

Domain. San Francisco, CA: Invisible City/Red Hill Press, 1986. Works-in-progress by G.T. James & Paul Vangelisti. Photographs by Joe Goode.

Tree. Palos Verdes Estates, CA: If Publishing. Photographs by Joe Goode. Poem by Brooks Roddan. Forward by Fred Dewey. Edition of 250.

Joe Goode: Storm Trees. Santa Monica, CA: Jacob Samuel, 1987. First Edition 1/8. 4to. Linen Over Boards, Slipcased. Artists' Book. Fine/No Jacket - As Issued. np (36pp), 12 white ground aquatints.

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