Lita Albuquerque is an internationally renowned multidisciplinary artist and writer. She has developed a visual language that brings the realities of time and space to a human scale and is acclaimed for her ephemeral and permanent art works executed in the landscape and public sites.
She was born in Santa Monica, California and raised in Tunisia, North Africa and Paris, France. At the age of eleven she settled with her family in the U.S. In the 1970s Albuquerque emerged on the California art scene as part of the Light and Space movement and won acclaim for her epic and poetic ephemeral pigment pieces created for desert sites. She gained national attention in the late 1970s with her ephemeral pigment installations pertaining to mapping, identity and the cosmos, executed in the natural landscape.
She represented the United States at the Sixth International Cairo Biennale, where she was awarded the Biennale’s top prize. Albuquerque has also been the recipient of the National Science Foundation Artist Grant Program for the artwork, Stellar Axis, which culminated in the first and largest ephemeral artwork created on that continent, three NEA Art in Public Places awards, an NEA Individual Fellowship grant, a fellowship from the Civitella Ranieri Foundation, the 2019 Laguna Art Museum Wendt Artist of the Year Award, and MOCA’s Distinguished Women in the Arts award. Recent major exhibitions include the 2018 Art Safiental Biennial, Switzerland, Desert X 2017, 20/20: Accelerando at USC Fisher Museum of Art, and The Getty Museum’s Pacific Standard Time Performance and Public Art Festival. In 2020, Albuquerque presented major commissioned ephemeral works for Desert X AlUla, Saudi Arabia and the Huntington Botanical Gardens and Library Centennial Celebration. Recent exhibitions; Lita Albuquerque: Red Earth, Huntington Botanical Gardens and Art Museum, San Marino, CA (2020); Light & Space at Copenhagen Contemporary, Denmark (2021); Lita Albuquerque: Liquid Light presented by bardoLA at 59th La Biennale di Venezia, Biennale Arte (2022); Groundswell: Women of Land Art at Nasher Sculpture Center, Dallas (2023); Lita Albuquerque: Early Works, Galerie La Patinoire Royale Bach, Brussels, Belgium (2024); and Lita Albuquerque: Stellar Axis, Anderson Collection at Stanford University (2024). Upcoming exhibitions include Lita Albuquerque: Malibu Line, Los Angeles Nomadic Division; Lita Albuquerque: Earth Skin, Michael Kohn Gallery, Los Angeles and Crossing Over: Art and Science at Caltech, 1920–2020, California Institute of Technology, Pasadena, CA for the Getty’s Pacific Standard Time Initiative. Her work is in the collections of The Metropolitan Museum of Art, New York, Whitney Museum of American Art, New York, Los Angeles County Museum of Art, Getty Trust, Los Angeles, and The Museum of Contemporary Art, Los Angeles, among others.
Albuquerque’s work questions our place in the enormity of infinite space and eternal time. Despite a rising flood of new data and interpretive theory, the most elemental concepts of an emerging scientific cosmology are simply not imbedded in everyday culture. Conversely, the meaning of this cosmology does not seem implicit in the science. Lita Albuquerque has not flinched from the scale of such a challenge. She is one of the rare artists and humanists who are responsible for thoughtfully and imaginatively placing the elemental concepts for a living, functional cosmology for 21st century culture within public consciousness.