Images In Peril was a group show with Joe Goode, Charles Hill, and Marven Harden. The prints in the exhibition provided evidence of the tension between the artist and picture plane. Whether the surface was altered by means of armed aggression, burial, or subtle abrasion, the works in the show acted as remnants of both a personal and material conflict.
Images In Peril was a group show with Joe Goode, Charles Hill, and Marven Harden. The prints in the exhibition provided evidence of the tension between the artist and picture plane. Whether the surface was altered by means of armed aggression, burial, or subtle abrasion, the works in the show acted as remnants of both a personal and material conflict.
Images In Peril was a group show with Joe Goode, Charles Hill, and Marven Harden. The prints in the exhibition provided evidence of the tension between the artist and picture plane. Whether the surface was altered by means of armed aggression, burial, or subtle abrasion, the works in the show acted as remnants of both a personal and material conflict.
Images In Peril was a group show with Joe Goode, Charles Hill, and Marven Harden. The prints in the exhibition provided evidence of the tension between the artist and picture plane. Whether the surface was altered by means of armed aggression, burial, or subtle abrasion, the works in the show acted as remnants of both a personal and material conflict.
Images In Peril was a group show with Joe Goode, Charles Hill, and Marven Harden. The prints in the exhibition provided evidence of the tension between the artist and picture plane. Whether the surface was altered by means of armed aggression, burial, or subtle abrasion, the works in the show acted as remnants of both a personal and material conflict.
Images In Peril was a group show with Joe Goode, Charles Hill, and Marven Harden. The prints in the exhibition provided evidence of the tension between the artist and picture plane. Whether the surface was altered by means of armed aggression, burial, or subtle abrasion, the works in the show acted as remnants of both a personal and material conflict.
Images In Peril was a group show with Joe Goode, Charles Hill, and Marven Harden. The prints in the exhibition provided evidence of the tension between the artist and picture plane. Whether the surface was altered by means of armed aggression, burial, or subtle abrasion, the works in the show acted as remnants of both a personal and material conflict.
Images In Peril was a group show with Joe Goode, Charles Hill, and Marven Harden. The prints in the exhibition provided evidence of the tension between the artist and picture plane. Whether the surface was altered by means of armed aggression, burial, or subtle abrasion, the works in the show acted as remnants of both a personal and material conflict.
Images In Peril was a group show with Joe Goode, Charles Hill, and Marven Harden. The prints in the exhibition provided evidence of the tension between the artist and picture plane. Whether the surface was altered by means of armed aggression, burial, or subtle abrasion, the works in the show acted as remnants of both a personal and material conflict.
Images In Peril was a group show with Joe Goode, Charles Hill, and Marven Harden. The prints in the exhibition provided evidence of the tension between the artist and picture plane. Whether the surface was altered by means of armed aggression, burial, or subtle abrasion, the works in the show acted as remnants of both a personal and material conflict.
Images In Peril was a group show with Joe Goode, Charles Hill, and Marven Harden. The prints in the exhibition provided evidence of the tension between the artist and picture plane. Whether the surface was altered by means of armed aggression, burial, or subtle abrasion, the works in the show acted as remnants of both a personal and material conflict.
Images In Peril was a group show with Joe Goode, Charles Hill, and Marven Harden. The prints in the exhibition provided evidence of the tension between the artist and picture plane. Whether the surface was altered by means of armed aggression, burial, or subtle abrasion, the works in the show acted as remnants of both a personal and material conflict.
